正片《第五行动组II较量》上映于2006年，是一部大陆制片出品，导演邱怀阳，编剧邱怀阳。由宋运成、吴祯、苗苗、鲍大志等主演的剧情，对白语言为国语。
《第五行动组II较量》剧情简介：抗日战争时期，江南小镇接连发生袭击日军和特务机关的事件，“第五行动组”的秘密行动令敌人损失惨重，也激起了当地民众的抗争意识。为查出地下组织的电台位置，日军调来特科，与76号特务机关联手展开严密搜捕。 行动组联络员青嫂因小叔子宋晓春一时冲动杀敌而暴露身份，在营救与传递情报过程中壮烈牺牲，宋晓春也随即被捕。敌人随后设下圈套，假扮地下组织试图骗取宋晓春信任，借机引出真正的“第五行动组”。为了找回青嫂未能送出的关键情报，并解救被蒙蔽的宋晓春，杨励和秋婷冒险周旋于日军特科与特务机关之间。随着身份接连暴露，行动愈发凶险，一场关乎情报、信念与生死的正邪较量全面展开。
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正片噬血地道演员：Max Riemelt
简介：在柏林纵横交错、尘封已久的地下隧道中，许多区域早已被官方封闭，却仍吸引着追求刺激的探险者前来闯入。丹尼斯、露西娅等几名来自不同国家的年轻人，在向导克里斯的带领下深入地下，试图一窥这片埋藏着二战与冷战痕迹的禁区。 起初，这场冒险只是一次充满猎奇意味的探秘之旅，但随着他们不断前行，阴森复杂的通道逐渐显露出真正的危险。几人不仅在黑暗封闭的地下空间中迷失方向，还遭遇神秘而凶残的陌生人追击。原本的好奇与兴奋，很快被恐惧、猜疑与求生本能取代。 当出口越来越遥远，体力与意志接连被逼到极限，这群闯入者才意识到，自己踏入的并非普通遗址，而是一座吞噬人性的地底牢笼。等待他们的，将是一场充满血腥与绝望的生死逃亡。
豆瓣评分5.2
正片同性恋不是变态东西，变态的是他所活着的社会演员：Bernd Feuerhelm,Berryt Bohlen,Ernst Kuchling,Volker Eschke,Michael Bolze,Steven Adamczewski,Dietmar Kracht,Norbert Losch,Manfred Salzgeber
简介：It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt) is the earnest title of Rosa von Praunheim’s 1971 PG-chaste first feature, which has aged like good cheese from a scandalous sensation (a political wakeup call to gays) into a textbook example of classic camp—and a delightful time warp trip through queer cliché. The very colorful color film (shot MOS) opens with von Praunheim’s camera trailing two fags—one blonde, one brunette—walking down a sunny Berlin street. Daniel, the shy brunette, is new to the big city and blonde Clemens is generously offering him a place to stay. (We know this by the heavily German-accented English, dubbed and spoken in a “Sprockets” cadence.) “It’s so hard to find someone who’s sincere,” Clemens’ voice says as they cuddle on his bed back at the apartment. “I really dig you.” Then, from out of nowhere, a grave, German-accented, Moses-like voiceover explains that “faggots long for loving relationships”, but “live in a dream world of glossy magazines and Hollywood movies.” Now naked in bed with Daniel, Clemens proclaims, “I’d like to throw the window open and show the whole world how wonderful it is when two men are in love!” And so it goes. Daniel fusses over his hair in the mirror while Clemens’ heartsick Teutonic voice narrates their newfound domestic bliss. “Every hour and minute I spent alone was torture for me.” Luckily, the lovebirds spend plenty of time doing things like “watching television to further our education” and housecleaning together. They also read or write letters. “Dear Mother,” Daniel’s voice begins. But alas, as Clemens stares into a cabinet chock full of knickknacks, that damn nagging Moses voiceover returns. “Faggots try to imitate middle class marriage,” he hisses, holding forth on the subject of men taught to be in competition with one another, to be self-involved—dooming the faggot relationship. Next thing you know, Daniel’s sad voice sighs, “Four months have passed. I’ve decided to leave Clemens.” Then a jaunty, genial German narrator intones, “Daniel was often cruised by a well-to-do man.” And there’s girlfriend strolling along with the tight-panted “benefactor at his country estate!” As they stop for a glass of champagne beside a statue, Moses abruptly thunders about the myth that the homosexual’s “interest in the arts is a way to make life more bearable,” when in reality “the arts are a tool for the rich and powerful,” for it makes it “much easier to get them into bed.” Cut to a piano and a wild-eyed fag singing about Deutschland! Nearby, the benefactor plays with his ascot, a gaudy silver ring in the shape of an insect on his finger. The camera pulls back and pans around the roomful of old queens respectfully listening to the recital. Moses announces, “Youth and good looks are tremendously important to old fags.” Like Hitchcock’s birds, the elderly Marys are suddenly swarming over poor Daniel—who gets nauseous and runs out the door. Then it’s off to an outdoor café—with a big sign reading “Moby Dick’s.” The genial German narrator informs that Daniel’s found a new job working at a “meeting place for homosexuals” where “conversations about film, fashion and physical culture give him ideas about how to fill his leisure time.” Moses butts in to add that faggots “gather to listen to Nina Simone, Judy Garland and Barbra Streisand” and “gather at Fire Island and San Francisco.” He intones, “Fashion has to be like a second skin that suggests the size of the cock.” A sissy saunters down the street in knee-high moccasins and shorts. Moses also warns, “The young fag must give up his interests for more homosexual interests.” And there’s Daniel sunning himself with his fellow homosexuals! Moses snipes, “He was entranced by his strong body and butch style” as a torso, hairy chest and tight blue jeans, appears in medium close up. The genial German offers, “Daniel could sit for hours and enjoy being cruised.” Then: “Wolfgang had a lot in common with Daniel” as the two mop-haired, mutton-chopped boys rub lotion on one another. But all is not well in fairyland. Moses brings news that Daniel has begun going to gay bars—is becoming addicted! And, yup, there’s Daniel, wandering around a dark and dingy hole. Moses explains, “It’s easy for faggots to find one another because they offer themselves on street corners like whores.” Cut to a queen having a hissy fit in front of the bar as another tries to calm her down, all while Moses holds forth on sad fags, how they don’t know how to use their sexual freedom for happiness, how their “greatest enemy is the conspicuous queen.” Two fairies in short shorts appear in the frame, fawning over two embarrassed fags. Moses laments, “Daniel now has no other interest than being a fag.” Cut to a motorcycle gang, leather boys cruising one another amongst the nighttime trees. They feel up each other’s zippers, chains, and studs—a clothed grope fest as Moses teaches that, other than “trans-westites, [who] long for women’s organs, leather freaks are the fags with the most hang-ups.” In fact, “The leather queers are really nice, polite people who suffer from their own weakness.” And that’s when Daniel, “bored with talking,” fatefully leaves the bar scene for the park where he “slowly made his way through the tense choreography of men.” (So sayeth Moses.) Cut to outside a public restroom (a “well-known meeting place”). Men who cruise restrooms “despise tearoom trade,” the voice of Moses trembles. Hustlers—“usually runaways from broken homes” who are “often not queer”—frequent these spots. (Assorted hustlers and fags mill about as a piece of rough trade stands like a sentinel in front of the door.) A group of queers emerge and pile circus-style into a car. An old fag cruises Daniel but strikes out (duh!) before getting beat up by rough trade. Next up: a drag queen singing in a mixed homo bar—a tattooed leather daddy staring stoically from a table nearby. And there’s Daniel! He’s “drowning himself in alcohol and cigarettes” while other fags try to “forget themselves in a frantic atmosphere”—i.e., a black guy and a white guy doing a chicken dance to “Rock Around The Clock”, which blares from the jukebox. An old yodeling queen appears. Daniel sees his friend Paul, asks if he can go back to his communal pad. And that’s where von Praunheim’s film finally reaches its climax—a psychotherapy session with a group of naked fags! Sitting in a circle, they berate Daniel in their dubbed voices. “You’ve become a real full time faggot!” “You’re becoming neurotic, a whore who doesn’t even get paid!” The Teutonic accents start calling for a gay pride awakening, a consciousness-raising “We’re here, we’re queer!” movement. “Queens and butches have to stop opposing and fight together side by side!” “Come out of the closet! Take to the streets!” “Erotically free! Socially involved!” The commentary continues even as the credits roll over a pink background—even as I can’t stop laughing over the “trans-westites,” leather freaks, and glorious tearoom trade.
豆瓣评分7.1
正片头号公敌2演员：文森特·卡索,露德温·塞尼耶,马修·阿马立克,塞缪尔·勒·比汉,热拉尔·朗万,奥利维埃·古尔梅,乔治·威尔森,米歇尔·迪绍苏瓦,安·孔西尼,洛尔·玛尔萨克,Alain Fromager,阿兰·杜泰,阿尔塞纳·莫斯卡,Christophe Vandevelde,吕克·蒂利耶,克蕾蒙丝·西尔莱
简介：作为“梅林”系列下部，影片继续讲述法国传奇罪犯雅克·梅林生命最后阶段的经历。此时的他已是全国通缉的“头号公敌”，一边高调周旋于警方、媒体与地下世界之间，一边沉迷于名声带来的刺激与失控。随着抢劫、越狱、绑架等重案不断累积，梅林愈发自负，也愈发危险。警方则步步紧逼，试图终结这名屡次挑衅法律的悍匪。影片在凌厉节奏中刻画了一个复杂而矛盾的罪犯形象：他既狂妄暴烈，又善于操纵舆论，把自己塑造成传奇人物。最终，这场关于欲望、暴力与名声的追逐，走向了不可避免的终局。
豆瓣评分7.5
正片冰上奇迹演员：库尔特·拉塞尔,派翠西娅·克拉克森,诺亚·艾默里奇,肖恩·麦卡恩,肯尼斯·威尔什,艾迪·卡希尔,帕特里克·奥布莱恩·邓普西,Michael Mantenuto,内森·韦斯特,肯尼思·米切尔,Eric Peter-Kaiser,Bobby Hanson,Joseph Cure,Billy Schneider,Nate Miller
简介：影片根据1980年冬奥会前后的真实事件改编。1979年，美国社会在战争阴影与冷战压力下士气低迷。曾率明尼苏达大学冰球队连创佳绩的教练赫伯·布鲁克斯，临危受命组建新一届美国男子冰球队，目标直指长期统治国际赛场的苏联队。 面对一群来自不同大学、彼此竞争激烈的年轻球员，赫伯以近乎苛刻的方式训练队伍，不只磨炼体能与战术，更要打破地域与门派之见，把他们塑造成真正的团队。热身赛惨败给苏联后，这支不被看好的青年军并未崩溃，反而在挫折中逐渐凝聚信念。 当冬奥会来临，美国队以顽强斗志一路奋战，最终迎来与苏联队的关键对决。这不仅是一场冰球比赛，更成为鼓舞全国人心的经典时刻。影片以扎实克制的笔触，呈现了团队精神、信念与奇迹诞生的全过程。
豆瓣评分7.7
正片
HD中字版天使与魔鬼英语演员：汤姆·汉克斯,伊万·麦克格雷格,阿耶莱特·祖里尔,斯特兰·斯卡斯加德,皮耶尔弗兰切斯科·法维诺,尼古拉·雷·卡斯,阿明·缪勒-斯塔尔,托尔·林德哈特,大卫·帕斯奎斯,科西莫·福斯科,维克多·埃菲尔,科特·罗文斯,鲍勃·耶基斯
简介：影片改编自丹·布朗小说，讲述哈佛大学符号学专家罗伯特·兰登被紧急召往梵蒂冈，协助调查一场牵动教廷命运的连环危机。欧洲核子研究中心制造出的反物质被人盗走，一名科学家遇害，尸体上留下“光明会”印记；与此同时，教皇离世后的秘密会议期间，四位最有希望继任的红衣主教相继失踪。随着时间一分一秒流逝，兰登与科学家维多利亚沿着古老线索穿梭于罗马教堂、广场与地下遗迹之间，在“土、气、火、水”的象征指引下追查真凶。宗教权威、科学力量与历史阴影彼此碰撞，这场争分夺秒的追踪最终引向一桩更惊人的阴谋。
豆瓣评分7.4
正片天神下凡演员：丽塔·海华丝,拉里·帕克斯,马克·普莱特,罗兰·卡尔弗,詹姆斯·格利森
简介：天神宙斯之女、缪斯女神琪拉不满舞台作品对希腊神话的误读，违背天规私自来到人间。她化身凡人接近怀才不遇的艺术家丹尼（部分资料作桑尼），以自己的魅力与才华帮助他重拾灵感，并促成他获得富商资助，筹备开设夜总会。相处过程中，两人逐渐萌生爱意。然而琪拉终究是天界之人，私下凡间注定无法久留。就在夜总会开幕之际，她不得不向丹尼坦白真实身份，并面临返回天庭的命运。临别前，琪拉以一场惊艳众人的歌舞为爱作别，也让丹尼深受触动。最终，真挚感情打动了天神，琪拉得以重返人间，与恋人重逢。影片以神话设定串联爱情、歌舞与奇幻元素，整体风格轻盈浪漫。
豆瓣评分6.7
正片
正片9.99澳元演员：杰弗里·拉什,安东尼·拉帕格利亚,Samuel Johnson,巴里·奥托,乔尔·埃哲顿,克劳迪娅·卡万,本·门德尔森,利安娜·瓦尔斯曼,Jamie Katsamatsas,布莱恩·米根,罗伊·比令,大卫·菲尔德,里昂·福德,汤姆·巴治,亨利·尼克松,Richard Clendinnen,埃米尔·谢尔曼,Ursula Yovich,Lee Perry,Sally Patience
简介：一名中年男子在街头目睹流浪汉当场自尽，这场突如其来的冲击，让他和家人开始重新审视生活。与此同时，他28岁的儿子大卫迟迟找不到工作，对“人生意义”却格外执着；父亲希望他进入哥哥的讨债公司谋生，但大卫始终无法融入现实规则。 影片把视角延伸到悉尼同一栋公寓楼中的不同住客：失恋又沉沦的瘾君子、孤独度日的老人、事业破产的魔术师、光鲜却空虚的名模，以及天真执拗的孩子。每个人都在各自的困境、欲望与失落中摸索出口。 《9.99澳元》以定格动画包裹成人寓言，用黑色幽默、荒诞想象和温柔哲思，串联起一群普通人对幸福、价值与存在意义的追问。所谓“9.99”，像是一个看似触手可及的答案，却也提醒人们：生活真正的意义，从来无法被明码标价。
豆瓣评分7.8
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